Zum Hauptinhalt

Organized Sound Spaces with Machine Learning

Dr. Kıvanç Tatar

References

References

BBC Radio 3, dir. 2009. "The Futurist Intonarumori by Russolo - 2", YouTube.

Cox, Christoph, and Daniel Warner. 2004. Audio Culture: Readings in Modern Music. A&C Black.

Fan, Jianyu, Kıvanç Tatar, Miles Thorogood, and Philippe Pasquier. 2017. “Ranking-Based Emotion Recognition for Experimental Music.” In Proceedings of the International Symposium on Music Information Retrieval (ISMIR) 2017. Suzhou, China.

Garber, Leandro, and Tomás Ciccola. 2019. “AudioStellar.” 2019. https://audiostellar.xyz/.

Kingma, Diederik P., and Max Welling. 2014. “Auto-Encoding Variational Bayes.” arXiv:1312.6114 [Cs, Stat], May. http://arxiv.org/abs/1312.6114.

———. 2019. “An Introduction to Variational Autoencoders.” Foundations and Trends® in Machine Learning 12 (4): 307–92. https://doi.org/10.1561/2200000056.

Oslo Philharmonic, dir. 2020. "An Alpine Symphony / Richard Strauss / Vasily Petrenko / Oslo Philharmonic", YouTube.

Roads, Curtis. 2004. Microsound. Cambridge, Mass.: The MIT Press.

Russolo, Luigi. 1913. The Art of Noise. A Great Bear Pamphlet. http://www.artype.de/Sammlung/pdf/russolo_noise.pdf.

Schörkhuber, Christian, and Anssi Klapuri. 2010. “Constant-Q Transform Toolbox For Music Processing.” In Proceedings of the 7th Sound and Music Computing Conference (SMC 2010), 8. Barcelona, Spain.

Sønderby, Casper Kaae, Tapani Raiko, Lars Maaløe, Søren Kaae Sønderby, and Ole Winther. 2016. “How to Train Deep Variational Autoencoders and Probabilistic Ladder Networks.” In Proceedings of the 23rd International Conference on Machine Learning (ICML 2016). Pittsburgh, Pennsylvania: ACM Press.

Stockhausen, Karlheinz. 1958. Kontakte. https://en.wikipedia.org/wiki/Kontakte.

Stockhausen, Karlheinz, dir. 1972. Four Criteria of Electronic Music with Examples from Kontakte. Stockhausen Verlag.

Strauss, Richard. 1915. An Alpine Symphony.

Tatar, Kıvanç. 2017. A Conversation with Artificial Intelligence. https://kivanctatar.com/A-Conversation-with-Artificial-Intelligence.

Tatar, Kıvanç, Daniel Bisig, and Philippe Pasquier. 2020. “Latent Timbre Synthesis.” Neural Computing and Applications, October. https://doi.org/10.1007/s00521-020-05424-2.

Tatar, Kıvanç, Kelsey Cotton, and Daniel Bisig. 2023. “Sound Design Strategies for Latent Audio Space Explorations Using Deep Learning Architectures.”

Varèse, Edgard, and Chou Wen-chung. 1966. “The Liberation of Sound.” Perspectives of New Music 5 (1): 11–19.